Showing posts with label Vaudeville. Show all posts
Showing posts with label Vaudeville. Show all posts

Saturday, January 4, 2020

Palatial Fordham


Theatre Magazine, March 1922 





"Foyer rich in Italian marble"




"The approach to the Mezzanine Promenade"


"Fordham Theatre boasts three exquisitely appointed retiring rooms, complete in every detail down to the ivory toilet accessories on the dressing tables."




The Cinema Theatre Association (CTA) have asked me to speak at their monthly meeting in London. March 28th, 2020. This is my first overseas talk. It will add to my reputation as a theatre historian.
I have started a GoFundMe campaign to extend my stay, conducting research and visiting historic theatres.
Research will be used for future talks, essays, articles, etc. The theatres visited recorded and shared on social media.
Funds collected will go directly to travel within the UK, accommodations, food and everyday expenses.

Thursday, February 28, 2019

Elegy in Manhattan

Photo by Mishkin, New York


Drawing inspiration from Spoon River AnthologyGeorge Jessel wrote Elegy in Manhattan, transforming Edgar Lee Master's fictional village into the real world of New York entertainment.

"The confiding thoughts of fifty-six glittering guys and gals who once walked the streets of the Big Town."










As in Spoon River, the first poem serves as an introduction:

"Where are Joe and Lew;
Sam Bernard, Foy, Hitchy;

Nat C. Goodwin, and all his lovely wives;
'Terrible Terry,' 'Big John L';
The Frohman brothers, Charles and Dan;
The Shuberts, Lee and Sam?

"Nearly all are resting on
the banks of Manhattan,
Dreaming of how Lillian Russell
looked that New Year's Eve at Delmonico's,
of what Al Smith said
to Murphy that morning in Tammany Hall, 
of what Teddy R. said
at Union Square of young Cohan's 'Waving the Flag,'
and of 'dashing Jimmy'
the Mayor.

"Nearly all are resting on the banks of the Manhattan." 

 





On Amazon
















Since 1997 theatre historian,  Cezar Del Valle, has conducted a popular series of  theatre talks and walks, available for  historical societies, libraries, senior centers, etc.
Del Valle is the author of the Brooklyn Theatre Index, a three-volume history of borough theatres.
The first two chosen 2010 OUTSTANDING BOOK OF THE YEAR by the Theatre Historical Society. Final volume published in September 2014.
Editing and updating the third edition of the Brooklyn Theatre Index.

Tuesday, July 7, 2015

On Stage at Coney Island


 Sunday July 12, 2015, 11am

Cezar Del Valle, author of the Brooklyn Theatre Index Volume III, hosts the
cHURCH OF MONICA (Open Source Gallery)
and discusses his new book about the history of Coney Island theatre

"H.M.S Pinafore" at Inman's, Bowery and Henderson's Walk 
Connor's Music Hall (a/k/a Imperial Music Hall), Bowery and Thompson's Walk

Kojan & Wilson's Music Hall, Ocean Board Walk and Kensington Walk



Photographs from Glimpses of the New Coney Island (1904)






Cezar Del Valle is the author of the Brooklyn Theatre Index, a three-volume history of borough theatres. The first two chosen 2010 OUTSTANDING BOOK OF THE YEAR by the Theatre Historical Society. Final volume published in September 2014.



He is available for theatre talks and walks in 2015: historical societies, libraries, senior centers, etc

Now selling “vintage” on Etsy.




Monday, November 10, 2014

Ridgewood Theatre, 55-27 Myrtle Avenue, Ridgewood, NY 11385


From an advertisement, for the Ridgewood Theatre in The Weekly Chat, December 23rd, 1916:
"Opens Saturday Night, Dec. 23rd, 6 Big Acts of Vaudeville And Superior Photo Plays, Complete Change of Program Every Monday and Thursday"



Motion Picture Herald, April 11, 1931: 


 "The Ridgewood theatre in Brooklyn was modernized considerably by the theatre construction department of the Fox Theatres Corporation, to make it fit to meet today's competition in that borough of New York City.   

"Structural changes consisted in the filling in of the well between the auditorium and the mezzanine floor, making the mezzanine promenade a spacious corridor. Major structural changes were also involved in making the projection quarters larger to provide space for new projectors, spots, and effect machines, together with safety devices and auxiliary equipment.

"Boxes that adjoined the proscenium arch were removed and in their place new arch features were designed. A complete air conditioning system utilizing deep well water in place of refrigeration, was installed, while there were also considerable changes in the electrical equipment made necessary by the new projection equipment and stage lighting.  

"Other changes include redecoration of the lobby, new seats for the auditorium chairs, new carpeting and drapes, while the plumbing was also modernized and renewed, and new lighting fixtures were added practically throughout the theatre."

We Love Ridgewood Theatre

After the Final Curtain

NY City Lens


Cezar Del Valle is the author of the Brooklyn Theatre Index, a three-volume history of borough theatres. The first two chosen 2010 OUTSTANDING BOOK OF THE YEAR by the Theatre Historical Society.  Final volume published in September 2014.
He is available for theatre talks and walks in 2015: historical societies, libraries, senior centers, etc.  
 
Now selling "vintage" on Etsy






 

Saturday, September 27, 2014

The Brooklyn Theatre Index, Volume III


Announcing publication of

The Brooklyn Theatre Index Volume III
Coney Island Including Brighton Beach and Manhattan Beach

Availabe on Amazon* or from the Author


The first two volumes chosen 2010 Outstanding Book of the Year
by the Theatre Historical Society.


*For those in the UK


Cezar Del Valle is available for theatre talks and walks in 2014-15:
historical societies, libraries, senior centers, etc.

Tuesday, May 13, 2014

Along the Bowery in 1867

On  Sunday, May 18, 2014, I will be conducting a walking tour of the Bowery for the Lower East Side Preservation Initiative.

Among the sites will be Tony Pastor's Opera House at 199 Bowery.

 The New York Sun, July 28, 1931:


"Here is a scene along the east side of the Bowery between Delancey and Rivington streets in 1867 before the elevated structure was erected. Rivington street is at the left.
"Near the right side of the picture is Tony Pastor's Opera House, a variety theater at 199 Bowery, where the proprietor made his first appearance in 1865. The playhouse was originally known as Hoym's Theater. The People's Theater, opened in the 80s, was built on the site of Tony Pastor's Opera House."

The street as it appears today on Google Maps:

  

View Larger Map
 
 
Cezar Del Valle is the author of the Brooklyn Theatre Index, chosen 2010 Best Book of the Year by the Theatre Historical Society. 
  
He is available for theatre talks and walks in 2014, historical societies, libraries, senior centers, etc. 
 

Monday, March 31, 2014

Lower East Side Preservation Initiative's Moveable Feast



An Afternoon on The Lower East Side
 Sunday May 18, 2014

Part One: Tour the Bowery
2:00-4:00 pm
with theatre historian Cezar Del Valle
Meet in front of the Liz Christy Garden, Bowery and Houston Street

The Bowery entertainment district was once bursting with Yiddish, Chinese and Italian Theatres, vaudeville houses, early film venues, dime museums, and concert saloons. Explore this colorful, earthy history with theatre historian Cezar Del Valle.

Admission: $20  LESPI Members: $15

 

History Quickie: Lower East Side History Project


Part Two:

 LUNCH AT AN HISTORIC GREEK-AMERICAN SYNAGOGUE 

4:00 - 6:00 pm


At the Kehila Janina Kedosha synagogue, a New York City Landmark, enjoy  a delicious lunch of traditional Greek-Jewish kosher yaprakes, bourekas, kourlouia, Greek salad, seasonal fruit, hot and cold beverages.
Tour the beautifully restored 1927 synagogue interior, and visit the synagogue's fascinating museum on the history of the congregation and Greek American Jewish life.

Cosponsored with Kehila Janina Kedosha 
Meet  at: Kehila Janina Kedosha Synagogue at 280 Broome St, between EldrIdge and Allen Streets

Admission: $25
LESPI and Synagogue members $20

SPECIAL COMBINED TOUR AND LUNCH EVENT PRICE: $40   
LESPI MEMBERS: $30

Info@LESPI-nyc.org with any questions.

This program is part of Lower East Side History Month 
Cezar Del Valle is the author of the Brooklyn Theatre Index, chosen 2010 Best Book of the Year by the Theatre Historical Society.

He is available for theatre talks and walks in 2014, historical societies, libraries, senior centers, etc. 

Tuesday, September 10, 2013

Fisher Theatre, 136 Fall Street, Seneca Falls, NY 13148


Excerpts from the Auburn Citizen, October 9, 1915:
"The new Fisher Theatre was opened last night for the first performance, after a year spent in construction and less than three years from the time plans were first inagurated for the building of a modern playhouse. The new theatre was erected by Fred C. Fisher and is under his direction. The cost is about $40,000. 

The front of the building contains two large stores and the theatre entrance. Several suites of offices occupy the front of the second floor. The theatre proper is absolutely fireproof with concrete floors and all kinds of modern theatre equipment and seats 960.

Every seat in the house was taken last night. The opening show was a three-act musical comedy direct from New York called Tonight's the Night. For tonight vaudeville and moving pictures will be the attraction. On Saturday night, October 16, May Irwin and a big company will be the attraction.

"The theatre opening attracted hundreds of people from out of town and was the social event of the season. Mr. Fisher has exceeded the Opera House Site Committee's requirements in every particular and he was anxious to know whether Seneca Falls people would support the project. They did so last night. Waterloo and all parts of the county contributed to the opening audience. The highest of compliments were paid Mr. Fisher for his enterprise.
"    

Postcard is part of the Theatretalks collection, please ask permission to copy and/or use. At least give credit to source. We know that some people will not  honor this but it would be nice if they did.

Cezar Del Valle is the author of the Brooklyn Theatre Index, chosen 2010 Best Book of the Year by the Theatre Historical Society.

He is currently accepting theatre talks and walks for the fall and winter-historical societies, libraries, senior centers, etc.

 


Monday, June 3, 2013

Second Edition Brooklyn Theatre Index, Special Offer

On Sale June 1-July 31, 2013:

Now available:
Brooklyn Theatre Index Volume I Second Edition
Brooklyn Theatre Index Volume II Second Edition

The first edition was chosen 2010 Book of the Year by the Theatre Historical Society.


Purchase directly from the author for $14 per volume (plus postage); this special discount will also apply to the third and final volume (Coney Island) to be published later this summer.

As a "print-on-demand" book there will be a short delay between receiving orders and shipments.

Contact the author for details.  


Cezar Del Valle is available for theatre walks and talks 2013.





Tuesday, August 14, 2012

Hyman Theatre, 802 S. Broadway, Los Angeles, CA 90014

Opened: December 1910
Seating Capacity: 1,000 (Moving Picture World)
Proprietor: Arthur S. Hyman
Architects: Train & Williams ("aided by Mr. Hyman's suggestions"-Moving Picture World)

 
Excerpts from Moving Picture World, April 22, 1911:

"Los Angeles' newest and most elaborate picture palace is named after Mr. Arthur S. Hyman, president and general manager of the Hyman Circuit of Vaudeville and Moving Picture Theaters, the Western Amusement Company, Western Film Exchange and other theatrical and amusement enterprises."

"Mr. Hyman has the unique distinction of being the only man to ever open two pretentious theaters in the same city within a period of only seven days between opening dates. This occurred when the College, costing $35,000, and the Hyman, costing in excess of $45,000, were completed." 

"The Hyman, seating a thousand, is the largest, as well as the most sumptuously equipped and luxurious of the city's moving picture theaters."

"It covers a ground space of  50x175. The exterior of the building is decorated with pure white plaster. The foyer has the usual tile floor and is wainscoted in select white Italian marble to a height of  eight feet. The ceiling of the foyer is in plaster decorated with plaster brackets between which are gold-leafed 'H.T.'  monograms of pleasing design. The box office, also in marble, is more commodious than the usual box office. The foyer doors leading into the lobby are of mahogany, with brass wearing plates.
"The lobby of the Hyman is a symphony of luxury. The wainscot paneling and other woodwork is constructed of Juana Costa mahogany of selected grain, which has been given the dull finish. The well-padded lobby carpet is of green velvet brussels. The lobby is well equipped with mirrors, a feature that the women patrons appreciate. Opening off the lobby are retiring rooms for both men and women, and a stairway leading to the operating room and to Mr. Hyman's luxurious office in the front of the building. The draperies leading into the foyer and into the auditorium are of silk velour, the inner facing green, and the outer facing wine colored, with "H.T." monograms in white leather."

"The mahogany opera chairs are roomy and are upholstered in red leather. Two six-foot aisles permit the handling of capacity audiences without unnecessary crowding, The aisles are carpeted in green velvet brussles matching the lobby carpet. The ceiling and side wall decorations in the popular Art Noveau effect, are very pleasing. Two large leaded art glass skylights adorn the ceiling, which is beamed, and from it are hung leaded art glass lanterns. The side lights of the auditorium are also lanterns, but of a smaller size.
"The stage is 24x30, and and is well equipped with scenery by the Ernest Flagg Scenic Company, and contains comfortable dressing rooms for the actors and actresses employed in vaudeville turns.
"The operating room is large, finely equipped, well ventilated and thoroughly fireproofed. Two Model B. Edison Projectoscopes are used, together with a dissolver and a spot light. Two competent operators, under the direction of L. M. Nelson, chief electrician and chief operator of the circuit, are always on duty. Projection is faultless.
"The policy of the theater is to run high class vaudeville specialties interspersed with first-run Licensed pictures.
"The seven-piece orchestra is under the direction of Miss Bessie B. Hardy. The orchestra play the specialties in a way that leaves little to be desired. Miss Hardy also shows careful discrimination in her choice of incidental music to accompany the pictures."

"The theatre opened during the the December holidays and has played to excellent business ever since. For the first month or so Independent pictures were run, then Mr. Hyman decided to run both vaudeville and pictures. On March 1st the house changed their service to Licensed."

               

 For more on the Hyman Theatre

Cezar Del Valle is the author of the Brooklyn Theatre Index, chosen 2010 Best Book of the Year by the Theatre Historical Society.
     

Thursday, August 4, 2011

Lost Stages of the Lower East Side



 Lost Stages of the Lower East Side
Saturday, August 13, 2011
12:00pm-2:00pm
Cezar Del Valle will be conducting a walking tour for the
$20 per person, RSVP not required
Meet Outside of the Bowery Poetry Club, 308 Bowery
Subway: F train to 2nd Avenue
More Information: 347-465-7767

"Critics Pick"-- Time Out New York



Saturday, May 8, 2010

Brooklyn Collection April 28, 2010

My recent talk at the Brooklyn Collection garner positive reviews in two blogs.
Save the Slope found the talk “fascinating” but had some doubts about Alger Hiss being introduced to a Soviet spy chief in the mezzanine of the Prospect Theatre. The only support they could find for this claim was my essay in The Brooklyn Film, edited by John Manbeck and Robert Singer. Save the Slope also mentioned that Pete Hamill  ”cites the same tale.”  They thought it was a great story but was it really true?
I added as a comment the following from the Brooklyn Eagle, June 6, 1949:
“Each time, the perjury consisted of suppressing the espionage role he [Whittaker Chambers] accused [Alger] Hiss of playing after he introduced Hiss to a Soviet spy chief in the United States in the mezzanine of the Prospect Theater at 9th St. and 5th Ave. in January or February of 1937, he admitted under the battering questions of defense council Lloyd Paul Stryker.”
Richard Grayson at Dumbo Books “learned an awful lot” at my talk while having “a great time with a charming, knowledgeable and funny man who seems to know more Brooklyn theater history than anyone in captivity.”
Thanks Richard and HDEC at Save the Slope.

Interior, Prospect Theatre, 1919
When it opened in September 1914, the Prospect Theatre, with 2400 seats,  was the largest vaudeville house in Greater New York. A large section of the upper interior still survives above the C-Town at 327 Ninth Street in Park Slope. Prior to climbing up a twenty-foot ladder to see the remains, an excited stock boy told me with a great deal of glee “it is like the mummy’s tomb up there!”